One
of the summers many big, highly anticipated blockbusters looks into a question
many of us have wondered about; mainly what would happen if cowboys took on
aliens. This cross genre mash up set in 1870s Arizona sees mysterious outlaw, Jake (Daniel
Craig) and town bigwig Woodrow
Dolarhyde (Harrison Ford) battle an alien invasion to save the town
and as is always the case the entire world. Daniel Craig pulls off his best
Clint Eastwood impression, silent, rough around the edges, ‘don’t mess with me
or I’ll mess with your face’ action star and he confidently leads the film
although perhaps he’s more James Bond in a Stetson than Blondie. Still he is entertaining
and offered some of the best bits in the film.
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Sunday, 18 September 2011
Review: Project Nim
Project Nim is the latest documentary
offering from Oscar winning director, James “Man on a Wire” Marsh. Using
archived footage and the occasional dramatic reconstruction, it follows the
story of a chimp named Nim Chimpsky as he is taken from his mother by behavioural
psychologist, Herbert Terrace, and placed with a quintessentially ‘hippy’ human
foster family with hopes of teaching Nim American Sign Language (ASL) as a
human child would acquire language, shedding light on the mysteries of language
acquisition. The ironically named ‘Nim Chimpsky’ is a ‘punny’ reference to
language theorist, Noam Chomsky, whose theories on language acquisition as
exclusively the domain of and innate within, humans, Terrace and his team
sought to challenge. In the proceeding years, Nim is moved from house to house,
trainer to trainer, until after 5 years the experiment is called off and Nim
returned to captivity. The experiment is preceded by ‘Project Washoe’ in which
a chimp was raised in a human family, acquiring approximately 350 words of ASL,
which Washoe was able to combine to form some sentences. For instance on seeing
a swan for the first time, he signed ‘water bird’ showing some grasp of syntax.
The Nim Chimpsky
project ultimately failed in its attempt to replicate the results of Washoe. The
failure is attributed to poor teaching, and to Nim being consistently isolated
in a sterile laboratory environment, and often confined in cages, for his
entire life. Nim did not receive the same level of nurturing, affection, and
life experience as Washoe, and many have suggested that this impaired his cognitive
development, as happens with human children subjected to such an
environment. Herbert Terrace rejected the non-experimental approach of ‘Project
Washoe’ and sought to gain more ‘scientific’ results. While Nim did learn 125
signs and learnt to use them in the appropriate context Terrace concluded it
was nothing resembling human language and communication.
Saturday, 17 September 2011
Review: Tinker Tailor Soldier Spy
Tales of espionage are all about knowing conversations in
shadowy rooms, double agents and mundane tasks like reading government files becoming heart pounding risky situations with danger around every archive block. Tinker Tailor has all these things in full force but with added shadows, twice the knowing conversations and a risky archive scene that isn't ironically heart pounding, it's just stressful brilliance.
Mr. Smiley (Gary Oldman) is a MI6 agent forced into retirement which turns him into the perfect candidate for seeking out a double agent in his old offices, 'The Circus'. And from that point the film jumps around from place to place, time to time in an attempt to unravel the mystery.
shadowy rooms, double agents and mundane tasks like reading government files becoming heart pounding risky situations with danger around every archive block. Tinker Tailor has all these things in full force but with added shadows, twice the knowing conversations and a risky archive scene that isn't ironically heart pounding, it's just stressful brilliance.
Mr. Smiley (Gary Oldman) is a MI6 agent forced into retirement which turns him into the perfect candidate for seeking out a double agent in his old offices, 'The Circus'. And from that point the film jumps around from place to place, time to time in an attempt to unravel the mystery.
Sunday, 11 September 2011
Review: Kill List
There are at least six promotional postcards for Kill List that can be found in the foyer of any good cinema showing Ben Wheatley’s visceral
hitman thriller. On one side is the poster (a friggin’ ace poster. see above) and on the
other side is a stark black and white image of something that plays an
important part in the film; images range from a hammer to a noose to some
malevolent woods. I have all six of these postcards on my wall, not only that but I have laid out twelve of them in a, if I do say so myself, aesthetically pleasing poster kind of format displaying the poster six times next to each of the aforementioned black and white images. That should give you some sense of my feeling towards this film. I absolutely, positively loved it. It is easily my favourite film of this year.
So, this is a
somewhat biased review. However I will do my darnedest to tell you why I love
this film so much and not simply put “It’s excellent. Go and see it” over and
over again.
Kill List tells the tale of two ex-soldier/hitmen who are carrying
out their first job together in months. As the story unravels it becomes clear
that their last job didn't exactly go according to plan and that Jay isn't the most calm and collected man you'll meet. After a tension filled
dinner party and a quick chat in the basement Gal (Michael Smiley) persuades
Jay (Neil Maskell) to “get back on the horse” and Jay firmly and aggressively
gets back on that horse, and then proceeds to ride, flog and smash the crap out
of said horse before using it to kill a guys face in… metaphorically of course.
Saturday, 10 September 2011
Review: Troll Hunter
In the credits to this Norwegian Found-Footage-sort-of-spoof it says "No Trolls Were Harmed In The Making Of This Film" It also encourages you to come forward regarding any Troll related knowledge and uses the Forest Gump technique in an absolutely inspired way. If you go into Troll Hunter knowing that you are not about to see Cloverfield levels of disaster and turmoil, you will witness a cult classic in the making. It's more of a political message wrapped up in a homage to fear, fairytales and big ass trolls
An admittedly slow and repetitive opening introduces three students investigating the poaching of bears in the area. A man driving a big truck is the suspect and they hope find him and grab a few choice words. After tracking him down to a caravan park and following him out into the woods they hear noises in the trees and then a figure comes running toward them shouting "Trrrolllll" Before long we are seeing massive beasts rivaling Lord of the Rings levels of CGI, and being thrown into the world of Norwegian Troll related bureaucratic cover-ups.
An admittedly slow and repetitive opening introduces three students investigating the poaching of bears in the area. A man driving a big truck is the suspect and they hope find him and grab a few choice words. After tracking him down to a caravan park and following him out into the woods they hear noises in the trees and then a figure comes running toward them shouting "Trrrolllll" Before long we are seeing massive beasts rivaling Lord of the Rings levels of CGI, and being thrown into the world of Norwegian Troll related bureaucratic cover-ups.
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